Bat iyeltak tir mal Wikimedia Commons ise gan yonar abdumimaks rotir zo faver.
Pimtara moe inafu iyeltakbu valeveon zo nedir.
Pimtara
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Ta walzilira – ta ksudara va kobara azu walzilira azu deara
Ta warzafa ponara – Ta zalera va grabom
Nope valevef kredeem :
gaara – Va folack govanzilil ise va gluyaxa godaful ise gobazel kase betara al zo skud. Laninde gonaskil voxe mekane gometiavel da gelfasik va rin ik rinafa favera vanovar.
Milinde paká – Ede va bat valdig betal ike artazukar ike voner, pune va nekis valdig wetce mila ok milafa sorta gu bat goxolel.
This image, originally posted to Flickr, was reviewed on 11 November 2009 by the administrator or reviewerMartin H., who confirmed that it was available on Flickr under the stated license on that date.
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{{Information |Description={{de|1='''Wolf Biermann''' beim Dichtertreffen ''Lauter Lyrik'' am 16. November 2008, Rolf-Liebermann-Studio des NDR, Hamburg. .}} |Source=http://www.flickr.com/photos/qnibert/3035298792/ |Author=Marco Maas |Date=2008-1
Bat iyeltak va loplekufa giva ruldar. Bata giva male reduso ok tuotukaso wanuyasiko iku ksudasiko lanon zo loplekuyur. Ede iyeltak malion di zo betayar, konaka pinta va betayana ewava rotir me co tcazecked.
Iasik va de
NIKON CORPORATION
Deteza
NIKON D300
Digisik va copyright
Marco Maas
Wonarugal
1/100 s (0,01 s)
F Ota
f / 2,8
ISO kalieka
1600
Viel is gemelt ke nekira va origeem
18 lerdeaksat 2008 à 14:35
Longueur focale de la lentille
135 mm
Déclaration des droits d’auteur en ligne
www.fotografirma.de
Askisik
Marco Maas/fotografirma.de
Mantetaiba ke ewava
240 pt/po
Abrotcetaiba ke ewava
240 pt/po
Faven talpeyot
Ver.1.00
Evla is bartiv va betara va iyeltak
16 santaneaksat 2008 à 17:14
Wonaratalpey
Nubedaf
Version exif
2.21
Evla is gemelt ke vulegara
18 lerdeaksat 2008 à 14:35
Kaliuca ke budesiki
6,643856
Fenkura
2,970854
Biais de compensation d’exposition APEX
0
Ouverture maximale interne de la lentille
3 APEX (f / 2,83)
Mode de mesure
Spot
Afiklita
Megrupen
Divafira
Flash non déclenché
Fractions de secondes de l’horodatage de la prise de vue originale
08
Fractions de secondes de l’horodatage de la numérisation