Bat iyeltak tir mal Wikimedia Commons ise gan yonar abdumimaks rotir zo faver.
Pimtara moe inafu iyeltakbu valeveon zo nedir.
Pimtara
PimtaraGinkakuji fall 2.jpg
English: Seen against the silvery sand garden (ginsadan) raked with patterns of waves, and the distinctive mound of white sand known as the Kō getsudai, the pavilion, though never once covered with silver, strikes an exquisite image.
Ta walzilira – ta ksudara va kobara azu walzilira azu deara
Ta warzafa ponara – Ta zalera va grabom
Nope valevef kredeem :
gaara – Va folack govanzilil ise va gluyaxa godaful ise gobazel kase betara al zo skud. Laninde gonaskil voxe mekane gometiavel da gelfasik va rin ik rinafa favera vanovar.
https://creativecommons.org/licenses/by/3.0CC BY 3.0 Creative Commons Attribution 3.0 truetrue
Légendes
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Bat iyeltak va loplekufa giva ruldar. Bata giva male reduso ok tuotukaso wanuyasiko iku ksudasiko lanon zo loplekuyur. Ede iyeltak malion di zo betayar, konaka pinta va betayana ewava rotir me co tcazecked.
Iasik va de
Canon
Deteza
Canon EOS 5D Mark II
Askisik
Jean-Marie Hullot
Digisik va copyright
CC BY 3.0, Jean-Marie Hullot, Some rights reserved
Seen against the silvery sand garden (ginsadan) raked with patterns of waves, and the distinctive mound of white sand known as the Kō getsudai, the pavilion, though never once covered with silver, strikes an exquisite image.
Conditions d’utilisation
Some rights reserved - You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Ville représentée
Kyōto-shi
Mantetaiba ke ewava
240 pt/po
Abrotcetaiba ke ewava
240 pt/po
Faven talpeyot
Adobe Photoshop Lightroom 5.7 (Macintosh)
Evla is bartiv va betara va iyeltak
8 taneaksat 2015 à 15:40
Wonaratalpey
Abdukuca ke fenkura
Version exif
2.3
Evla is gemelt ke vulegara
8 santaneaksat 2012 à 02:34
Kaliuca ke budesiki
9,321928
Fenkura
8
Biais de compensation d’exposition APEX
0
Ouverture maximale interne de la lentille
4 APEX (f / 4)
Mode de mesure
Fum
Divafira
Flash non déclenché, suppression du flash obligatoire
Fractions de secondes de l’horodatage de la prise de vue originale
95
Fractions de secondes de l’horodatage de la numérisation